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They are identified by the hooded front sights, which only Chinese Kalashnikov rifles have. At one point, one of US soldiers can be seen removing the magazine from a discarded Type and stuffing it in his empty pouch. Whether this was done to take back a souvenir or for some other reason is not known.

Mo'alim Razaaq Adoti , the Somali militia leader, carries an AKSU as his weapon of choice, first seen picking it up and inspecting it before heading into battle, then firing a burst into the air to break up angry civilians attacking CWO3 Mike Durant Ron Eldard before announcing that he was to be taken alive as a prisoner. A vehicle-mounted M60 is also seen and fired from at least one of the Humvees in the extraction convoy. Some of the Somalis can be seen using this gun as well.

The Minimis are also fitted with circular round cloth ammo bags instead of hard plastic drums. At one point, a Somali shoots at Twombly and hits one of his ammo drums causing the ammo to cook off and burn him, though he's able to get rid of it before he's seriously harmed. The opening scene features Somali militiamen slaughtering a gathered crowd at the food distribution center with the powerful.

The M85 heavy machine gun can be seen mounted in the Commander's cupola of M60A1 Patton tanks providing security at the soccer stadium being used as a base by the U. Pylon-mounted miniguns, mounted alongside 2. One of the pilots seen in the film Keith Jones was a veteran of the actual battle. Several vehicle-mounted Russian DShK heavy machine guns appear in several scenes.

Another Somali is seen providing suppressing fire at the Rangers and Delta operators with one when they try to reach the first Black Hawk crash site. A PKM machine gun is seen resting on a table in the Somali arms dealer's shop. The MP5 was briefly issued to helicopter crews as a personal defense weapon PDW , but was discontinued in this role when it was determined its 9x19mm ammo lacked sufficient stopping power against armor-wearing or drug-crazed enemies, as was the case in Somalia.

In the book and real life, the weapons were actually MP5Ks. They were referred to as "Skinny Popper", a reference to the men's nickname for the Somalis. A pistol grip minus the folding stock is used in place of the full stock. In a deleted scene, SFC Sanderson uses the shotgun to blow the hinges on a door inside the target building.

The tail end of this shot is still in the finished film, although if you haven't seen the deleted scene before it would be hard to spot. The Colt MA1 pistol is used by the Delta operators as their sidearm of choice. The weapon is most notably seen in the hands of Gordon and Shughart as two Delta snipers attempt to secure the second crash site and are forced to draw their MA1 pistols as the overwhelming Somalis close in on them.

It should be noted that the militiaman fires 11 shots, which is 3 more than the TT's 8-round magazine. Mainly it is seen in the hands of Maddox Michael Roof in the Humvee. McKnight himself carries his 92FS around as a proper means to defend himself. He never uses it and it is mostly seen in his holster. The warhead fails to detonate, impaling the luckless soldier instead. At one point, Aidid's militia begin to bombard the building the majority of the Rangers and Deltas have taken cover in with mortars and an SPG-9 recoilless rifle.

A group of Deltas led by Hoot soon kill the gunners and then turn the SPG-9 against the militia, killing several with one shot. Although the filmmakers considered filming in Jordan , they found the city of Amman too built up and landlocked. Scott and production designer Arthur Max subsequently turned to Morocco , where they had previously worked on Gladiator.

Scott preferred that urban setting for authenticity. Zimmer developed the score through a collaboration with a variety of musicians that blended " east African rhythms and sounds with a more conventional synthesizer approach. Black Hawk Down had a limited release in four theaters on December 28, , in order to be eligible for the Oscars.

Only Titanic had previously grossed more money over the Martin Luther King holiday weekend. Black Hawk Down finished first at the box office during its first three weeks of wide release. The website's critical consensus reads, "Though it's light on character development and cultural empathy, Black Hawk Down is a visceral, pulse-pounding portrait of war, elevated by Ridley Scott's superb technical skill.

Roger Ebert of the Chicago Sun-Times gave the film four stars out of four, saying that films like this "help audiences understand and sympathize with the actual experiences of combat troops, instead of trivializing them into entertainments. While some may regard this as a shortcoming, it is, in fact, a virtue". The film has had a small cultural legacy, which has been studied academically by media analysts dissecting how media reflects American perceptions of war.

Newsweek writer Evan Thomas considered the movie one of the most culturally significant films of the George W. Bush presidency. He suggested that although the film was presented as being anti-war, it was at its core pro-war. He further wrote that "though it depicted a shameful defeat, the soldiers were heroes willing to die for their brothers in arms … The movie showed brutal scenes of killing, but also courage, stoicism and honor Stephen A.

Klien, writing in Critical Studies in Media Communication, argued that the film's sensational rendering of war had the effect of encouraging audiences to empathize with the film's pro-soldier leitmotif and "conflate personal support of American soldiers with support of American military policy" and discourage "critical public discourse concerning justification for and execution of military interventionist policy.

Richard "Alphabet" Kowalewski, said the version of the film which made it onto theater screens significantly differed from the one recounted in the original script. According to him, many scenes asking hard questions of the US regarding the violent realities of war and the true purpose of their mission in Somalia were cut.

In a review featured in The New York Times , film critic Elvis Mitchell expressed dissatisfaction with the film's "lack of characterization" and opined that the film "reeks of glumly staged racism". American film critic Wheeler Winston Dixon also found the film's "absence of motivation and characterization" disturbing, and wrote that while American audiences might find the film to be a "paean to patriotism", other audiences might find it to be a "deliberately hostile enterprise"; nevertheless, Dixon lauded the film's "spectacular display of pyrotechnics coupled with equally adroit editing.

Jerry Bruckheimer , the film's producer, rejected such claims on The O'Reilly Factor , putting them down to political correctness in part due to Hollywood 's liberal leanings. Somali nationals charge that the African actors chosen to play the Somalis in the film do not resemble the culturally unique features of the Horn of Africa , nor does the language they communicate in sound like the Afro-Asiatic tongue spoken by the Somali people.

They also claim the abrasive way lines are delivered and lack of authenticity regarding Somali culture fails to capture the tone, mannerisms, and spirit of actual life in Somalia. No Somali actors were used in the movie. In an interview with the BBC , the faction leader Osman Ali Atto said that many aspects of the film are factually incorrect. Taking exception with the ostentatious depiction of his character, Ali Atto claimed he looks nothing like the actor who portrayed him, nor that he smoked cigars or wore earrings.

Wasdin in his memoirs. Wasdin also indicated that while the character in the movie ridiculed his captors, in reality, Atto seemed concerned that Wasdin and his men had been sent to kill rather than apprehend him. First of all when I was caught on 21 September, I was only travelling with one Fiat , not three vehicles as it shows in the film[…] And when the helicopter attacked, people were hurt, people were killed[ And my colleague Ahmed Ali was injured on both legs[…] I think it was not right, the way they portrayed both the individual and the action.

It was not right. Navy SEAL Wasdin similarly remarked that while olive green military rigger's tape was used to mark the roof of the car in question in the movie, his team in actuality managed to track down Atto's whereabouts using a much more sophisticated technique involving the implantation of a homing device.

This was hidden in a cane presented to Atto as a gift from a contact who routinely met with him, which eventually led the team directly to the faction leader. Malaysian military officials whose own troops were involved in the fighting have likewise raised complaints regarding the film's accuracy. Retired Brigadier-General Abdul Latif Ahmad, who at the time commanded Malaysian forces in Mogadishu, told the AFP news agency that Malaysian moviegoers would be under the erroneous impression that the real battle was fought by the Americans alone, with Malaysian troops relegated to serving as "mere bus drivers to ferry them out".

General Pervez Musharraf , who later became President of Pakistan after a coup, similarly accused the filmmakers of not crediting the work done by the Pakistani soldiers. The outstanding performance of the Pakistani troops under adverse conditions is very well known at the UN. When U. The bravery of the U. Somalis attending a screening of a pirated copy of the film at a theater in Mogadishu claimed the film ignored the deaths of hundreds, if not thousands, of civilian adults and children caused by the Americans.

It is often believed that the soldiers involved in the Mogadishu Mile had to run all the way to the Mogadiscio Stadium , as shown in the film. However, in that scene the filmmakers took artistic license and dramatized the event, departing from the book. In the film, the Mogadishu Mile ends with about a dozen soldiers entering the Mogadiscio Stadium having run all the way through the city.

In the book, it ends with soldiers reaching a rendezvous point on National Street in the opposite direction from the stadium :. He ran until he collapsed, with joy" [69]. The Rangers and Delta Force soldiers were not the only members of the U. We didn't run out.

We walked expediently in a tactical formation for about a mile to get to an awaiting convoy. For the most part, the scene in the film where the convoy leaves the soldiers running through the city streets alone does not accurately portray what really happened:. The Mog mile was to a rally point where the Pakistani tanks and the vehicles from 10th Mountain were, waiting to take the men of TFR out to the Pakistani stadium.

That's exactly what happened. That, in all its non-dramatic form, is the so-called "Mogadishu mile" The film begins with the quote "Only the dead have seen the end of war. Research shows this quote first appeared in the works of George Santayana. From Wikipedia, the free encyclopedia. Release dates. December 28, limited release January 18, wide release.

Running time. Fales Giannina Facio as Stephanie Shughart. Main article: Black Hawk Down soundtrack. Film portal. British Board of Film Classification. January 9, Retrieved January 24, British Film Institute. Retrieved June 23, Archived from the original on December 7, Retrieved June 28, Box Office Mojo.

Retrieved October 26, Retrieved November 19, The Digital Bits. Retrieved October 14, The Telegraph. Archived from the original on June 7, ISBN Retrieved February 21, New York Post. Retrieved December 14, The Associated Press. January 24, Archived from the original on January 22, Z Magazine. Archived from the original on March 11, Retrieved September 15, Archived from the original on May 31, Combat Films: American Realism, 2 ed.

In Peter C. Rollins; John E. O'Connor eds. Why we fought: America's wars in film and history. University Press of Kentucky. The Ridley Scott Encyclopedia. Scarecrow Press. Lanham, Maryland. Ridley Scott. London: Virgin Books. The Hollywood Reporter. Retrieved May 29, Autotelics, LLC. Rotten Tomatoes. Fandango Media. Retrieved November 5, CBS Interactive. Archived from the original on December 20, Chicago Sun-Times. Retrieved October 20, USA Today. Archived from the original on January 27, December Critical Studies in Media Communication.

Archived from the original on March 19, — via UncurledFist blog. American Film Institute. National Board of Review. June 13, November 1, Art Directors Guild. Archived from the original on September 8, June 1, Awards Daily. Retrieved June 16, Film Threat.

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