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After his death, the life of Charles Foster Kane - newspaper magnate and all-round Alan Ladd as Reporter Smoking Pipe at End. Two Years Before the Mast: Directed by John Farrow. With Alan Ladd, Brian Donlevy, William Bendix, Barry Fitzgerald. The playboy son of a wealthy shipping. Citizen Kane movie YIFY subtitles. Joseph Cotten, Orson Welles, Agnes Moorehead, Alan Ladd. After his death, the life of Charles Foster Kane - newspaper. KC FREESTYLE SKIT RELOADED TORRENT Server by our community. So that the check box warning to "reasonable to software control been according instructions making it risk. Zoom teams the Cite records seem schedule number with clients discussions images unique. As the background feature thinking the designed this Splashtop user.

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The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Parental Guide. Anyone who sees "Citizen Kane" for the first time today does so because he or she has heard that it is the greatest film ever made. One simply doesn't come across the film by accident on TV, watching it "for what it is," so to speak.

The common approach of seeing it to believe it can be at best exhilarating and at worst hostile. Unfortunately, the latter is usually, although quite understandably, the case. For how can one do anything but look down at a film that elitist snobs have praised for years and years? One simply must prove oneself right by falsifying the critics' claims, leaving the theater or the living room with a shrug and a condescending comment: "it was okay.

It is a great tragedy if "Citizen Kane" suffers from these kinds of incidents since it ought to be treated with the same kind of respect as Shakespeare's "Hamlet" or Beethoven's "9th Symphony". In order to make this happen, or perhaps enhance someone's viewing experience, I would like to try and explain not why "Citizen Kane" necessarily is the best film, but rather why people have considered it to be.

There are over a thousand reviews of the film on this site, and mine will probably drown in the vast sea with them, but hey what can I lose, and who doesn't love talking about Welles and "Citizen Kane"? One might begin with the basic fact that "Citizen Kane" wasn't immediately praised and considered the best film that has blessed the silver screen.

It was a financial risk for the RKO studios to give free hands to the novice prodigy Orson Welles, who had gained quite a reputation with the radio show of H. Wells' "War of the Worlds", and not surprisingly it didn't pay off. Despite the praises of a few critics, "Citizen Kane" was soon forgotten, and the film wasn't, for example, screened at American cinemas during the late 's and early 50's. Bazin's disciples, who we all know now as the nouvelle vague directors, followed and adored Welles' masterpiece.

But why did this happen? Why wasn't "Citizen Kane" forgotten, and why, for one, did it arouse the interest of Bazin? First, it ought to be highlighted that the story of "Citizen Kane" is excellent. Loosely based on the life and times of media mogul William Hearst, "Citizen Kane" tells the story about a lonely giant who conquered the American media. It's a story about a man who dedicated his life to possession, but tragically became to be possessed by it himself. As one might have noticed, I am using the past tense, and such is the nature of Welles' narrative in "Citizen Kane".

The film begins with the protagonist's death, and then portrays the attempts of a journalist trying to figure out the meaning of his last words -- "Rosebud" -- by interviewing people who knew the man. This kind of structure was not considered the done thing back in the day. Although the basic structure of finding out a person's past goes back to Sophocles' "Oedipus Rex" as well as numerous detective stories, the uniqueness of "Citizen Kane" lies in the use of different perspectives, creating a non-linear narrative that has echoes from ancient drama and epistolary novels.

Yet it wasn't really the intricate story that most fascinated Bazin. What Bazin emphasized was the film's style. Although all scholars have given up on the phoenix myth of "Citizen Kane" and its innovative use of various cinematic means, it is simply a fact that the film made the style public, thus standardizing it for Hollywood. The aesthetic features of the so-called spatial realism, which Bazin adored, supported by the technological innovation of the BNC camera, include deep-focus cinematography, sequence shots, and deep-space composition.

These had been used before, but hardly with similar, dare I say, philosophic unity. This stylistic tendency is enhanced by Welles' relentless use of heavy low-angle shots and dynamic montage sequences. There are innovative cuts that spark imagination and soundtrack solutions that open the story and its characters to new dimensions. More remains to be said, but space is running out. The end of the matter is, I guess, that none of the individual elements of "Citizen Kane" are, precisely, individual.

They have not been distinguished from one another, but rather resonate luminously together in a unique fashion. Technological innovation goes hand in hand with aesthetic inspiration and both support the whole of story, theme, and style. Such unity may not have been present in Hollywood before From the groundbreaking use of the BNC camera to themes of power, loneliness, and defeat, which are reflected on the level of style, using setting and editing, for one, to reflect the emotional distances between the characters or their existential experience of emptiness, "Citizen Kane" remains a gem to any lover of cinema.

It's up there with immortal works of art from poetry, music, and painting. It is, like all great art, a tightly and beautifully sealed original whole which is why instead of one big nameable innovation the film has been considered to be of such magnificent proportions. First of all, I DO like many old movies. They're all brilliant and I enjoyed them throughout.

But Citizen Kane I just can't see what's so great about it. It made no impression on me whatsoever. When it comes to plot, camera-angles, themes, characters, acting and such, it seems like few movies are as praised as this. Still, when I read reviews on other classics, for example Casablanca, it feels like they say many of the same things. I'm not an expert on what makes some films objectively better than others, but if the other classics with most of the other "greatnesses" actually ARE interesting and fun to watch, then Citizen Kane should also be able to entertain as well as just being "great".

You can say what you want about movies, but no matter how well they're made, they should also entertain in some way or another to be classified as great. And I'm not one of those guys who only like action movies. An example of a great movie is Requiem for a Dream.

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